The real challenge here was making the invisible visible how do you show what happens inside someone's mind during those fleeting seconds? I leaned into dynamic text animations and gradient visuals as my language, using them almost like a heartbeat or brainwave. Typography became more than words; it was the vessel for emotion and sensation. I had to find that delicate balance between being too literal and too abstract specific enough that you feel the experience, but open enough that it doesn't become uncomfortable or exploitative. The contrast between motion and stillness, color and void, became crucial to expressing that psychological shift.